Jacob was supposed to meet with Dr. Paddock on Thursday
morning to hand over his research from the trip and to discuss his dissertation
progress, or, in this particular case, his lack thereof. Jacob had picked up
the rental car and driven to Princeton on Saturday. The plan was to spend Monday
at the Princeton collection, then take the short drive down to Bryn Mawr in the
evening. He had spent Tuesday morning at the Cananday, still on schedule and according
to plan. However, as we know, things had gone a bit awry from there. He was
supposed to have returned to Ohio late that Tuesday evening but ended up
staying an extra night, what with him getting sucked into the rift in the
time/space continuum and all. Still, returning Wednesday afternoon and making
the Thursday meeting was still reasonably in play had he not left the book full
of poems Rossetti had not written yet in a walk in closet at her brother’s
house. Had this gone smoothly, he might have still made the meeting with
Paddock. As things presently stood, he spent Thursday morning tracking down a
towing company to get his rental car out of an impound lot where he had to pay exorbitant
towing, storage, and administrative fees that he could hardly afford.
Jacob finally returned to his
apartment in Northern Ohio in the dead of night two days later than expected. He
found Ashley and Serafin listening to the newly launched liberal radio station
where a famous actress from the previous decade and her co-host were discussing
the Abu Gharib controversy, which they blamed exclusively on the current
administration. It was the primary season in an even more than usually divisive
presidential election year. The English graduate students at NOU did not always
agree on everything but were unified in their disdain for the incumbent
candidate and his supporters, who they generally saw as stupid, and his entire political
party, who they generally saw as evil.
“He can’t
even pronounce Abu Gharib right?” Serafin was saying as Jacob entered. “If
you’re going to torture and humiliate people, at least pronounce the place
you’re doing it correctly.”
Ashley
seemed to be more interested in the Sonic Heroes video game he was playing on
his GameCube and barely acknowledged her or Jacob.
Serafin
welcomed the returning hero in song parody: “Guess whose back/back
again/Jakey’s back/tell a friend.”
“Stan Shady
been at it again?” Jacob responded. Stan Shady was their nickname for their
neighbor who aspired to become a rapper and who they could often hear demonstrating
his limited skills on the other side of the thin walls of their apartment building.
As Ashley had put it, dude had seen 8 Mile a few too many times.
“Oh, he has
a new song,” Serafin put her hand on Ashley’s shoulder and Ashley nodded to
verify this fact. “It’s so great. We could hear him this morning. He just
samples ABC by Jackson 5 as the chorus, but the verses are his usual stuff.”
Serafin decided to demonstrate and began rocking her body and moving her hands
back and forth. She began rapping:
You punk bitch mother fucker
I’ll kick your fucking ass
You faggot assed bitch
Shoot you in your fucking face
(chicka, chicka)
ABC easy as 123
ABC easy as 123
I’ll fuck you up so bad
Put my foot up your punk ass
You fucking pussy assed ho
Kick your faggot ass to the curb
(chicka, chicka)
ABC easy as 123
ABC easy as 123
Ashley
looked up and nodded again as verification lest there be any doubt.
“Sorry I
missed that,” Jacob said. “Sounds like he hasn’t expanded his vocabulary since
I left.”
“But he’s
learning his alphabet. I call that progress.”
“It’s like
he’s influenced by Eminem, but only that one verse on the Marshall LP where he
says faggot like twenty times.”
“When are you going to introduce
yourself?” Jacob asked Ashley. They always joked about how much she and their
neighbor had in common. Ashley had begun work on a dissertation tentatively
titled Queer Desire in HipHop Culture, which would include a long, central
chapter applying psychoanalysis and continental theory to Eminem. And here,
right next door, lived an aspiring Caucasian rapper with bleached blonde hair
and a dream.
“He’s no
Eminem.” For reasons Jacob could not fathom, Ashley adored Eminem and would
argue with you at length that he provided the best example of poetry serving as
a loosening of speech and, thus, a window into the subconscious. Ashley’s agenda
was to deconstruct the lyrics and show that feminist women actually should love
Eminem as his work transgresses the thetic space to bring language into the semiotic
chora associated with the maternal body and its subversive desires.
“He’s more
like Vanilla Ice with Tourette’s,” said Serafin. Jacob did not laugh at this as
Tourette’s jokes had become pretty stale over the past few years.
“More in
the Kid Rock tier,” added Jacob, but this did not get a laugh either.
“I actually
like that song Kid Rock did with Sheryl Crow,” said Serafin. “He does more like
country/rock now instead of rap. Who knows, he might end up being a pretty good
artist after all—like a modern version of outlaw country or something. The next
Waylon Jennings.”
This kind
of thing was part of why Jacob could not stand her—always correcting him and
displaying how much she knew about everything to everyone.
“The first
time I saw a Kid Rock video on MTV, I seriously thought it was some kind of
parody. It took me several minutes in before I realized it wasn’t a bit,”
Ashley had completed the level she was on and shut off her game to join the
conversation. “In fact, I remember walking around the dorms the end of my
senior year and I heard someone playing Kid Rock unironically. That might have
been the moment I realized that I had become an adult. Like, I suddenly knew I
didn’t connect with the younger generation anymore.”
“Who knew
Kid Rock would be the watershed for our generation?”
“For me it
was Britney,” Jacob said. “When I first started teaching I was like, ‘no one
actually likes this right?’ But then I realized that some of my freshman comp
students actually did.”
“Anyway,”
Sera jumped in, “your boy Stan has been putting up flyers around the building
for a show he’s doing downtown. I would totally go but it’s the same night as
the mixer.”
“I mean, I
guess he’s trying to do something creative.” Jacob suddenly felt inclined to
defend their neighbor. “He must feel like he’s got something to express.”
“Trying and
sucking.”
“He’s
expressing how much he sucks.”
Sera and
Ashley laughed, but Jacob was serious. “Yeah, but what’s worse: trying to
create something that ends up being bad or not even trying at all?” This
question had been lurking in his mind.
“Aww, Jakey
has a soft spot for Shady.”
“I’m
serious, though. Yeah, he’s awful. He probably humiliates himself on a regular
basis. But there’s no fear with that guy.”
“It’s that
American Idol mentality,” said Ashley. “Everybody thinks they have a chance to
be famous now. You don’t even have to be that good.”
“But at
least the people who try out for that show are putting themselves out there.
Should we be criticizing them when we’re not even in the game.” It had been a
long, lonely drive home from Pennsylvania and, after spending the past two days
around actual artists, Jacob had been thinking about some of his own choices in
life.
“Alright,
give me a word,” Sera was up for the challenge.
“What?”
“Something
provocative—what’s a word you hate? Something repulsive.”
“Um.”
“Just give
me a word to start from.”
“I really
hate the word discharge.”
“Okay,”
Sera took a moment to gather herself and then began:
I
thought I had to piss large
Turned
out to be a discharge
But
not the honorable kind
The
intolerable kind
Asked
by doctor what I should do
Said
I should holler at you
Sure
wish you hadn’t of screwed me
Now
my pee is coming out goopy
“Ew!” Ashley chimed in here, but it
only encouraged her.
I
need some antibiotics
To stop this
dripping from my dick
Must have been
tripping—now I’m sick
Hope they don’t
put this in my biopic.
Here Sera
had pantomimed a mic-drop. Her flow was a bit erratic with several pauses. The
rhythm was off at times. Yet, this was objectively better than anything they
had heard from next door.
“Tits
rhymes,” said Ashley.
Jacob was
even sort of impressed. “Kind of amazing how you adopted the male perspective
there.”
“Androgynous
mind, bitch!” said Sera, who was kind of feeling herself. She made an A with
her thumbs and index fingers as if it were a gang sign.
Ashley
decided to give it a try now:
Dangerous
like a hippopotamus
Take
you through hell like Hieronymus
Bosch
You
better watch your back
I’ll
kick your crotch and smack
You
in the face
And
lace your snack with some crack;
Your
rhymes are basic and stale
Like
a pair of old Asics Gels
Taking
you back into hell
Dark
like you wearing a veil
Like
a baby trapped in a well;
My
rhymes are tits in a battle
Bout
to blaze this shit like a saddle
Put
your mouth in a bit like some cattle;
Bursting
out with volcanic rhymes that will
Make
your whole world tremble and rattle
Take
your ass to school—like you dad will.
Here she did her own mic-drop and
Sera cheered her on.
“You’re up, Jakey,” she said.
Ashley motioned to hand Jake the
invisible microphone, but Jake waved him off.
“Come on, man.”
“I don’t think my brain can even work
that fast.”
“Just think of a good first line or
two to start and then you follow your brain from
there. It’s just like loosening of speech,” said Ashley.
“The
semiotic chora,” said Sera with Ashley joining her in harmony. The semiotic
chora came up a lot in this household.
Jake remained reticent.
“Just throw in some clichés here
and there if you get stuck. Throw in a mother
fucker or something about smoking blunts if you need to keep
it going.”
“C’mon Jake, we both did it. You’re
up mister poetry.”
“Alright,”
Jake had actually come up with what he thought was a clever first line. “What
about like, ‘I’m the mother fucking master/ Like Oedipus and Jocasta.’”
“Yeah,
cool.”
“I see what
you did there, Jakey.”
“Keep
going.”
“Just see
where it takes you.”
Jacob
started again from the top with some renewed confidence.
I’m
the mother fucking master
Like
Oedipus banging Jocasta
Fucking
his mom in the ass
With
a rusty spatula
Blood
all over the sheets
To
a funky ass . . .
“Whoa,
whoa, whoa.”
“Jesus,
dude.”
“What the
fuck was that?”
“Seriously,
someone might need a timeout.”
“I’m
literally frightened right now. I don’t know if I can ever look at you the same,
Jakey.
“For real, I
didn’t realize the magnitude of your issues, dude.”
“Holy fuck.”
“Eminem
says stuff like that and you think it’s hilarious.” Jake had turned redder than Christina Rossetti's favorite flower.
“I don’t
know man, you just don’t pull it off.”
“Yeah, you
sound like it’s coming from some real dark place.”
“Sera was talking
about penis discharges. What the fuck is that?”
“I was just
going off your prompt, dude. I’m working with what you gave me—you sick fuck.”
“We
probably should’ve known. Who comes up with ‘discharge’ of all the possible
words?”
“You said
you wanted . . . man, you guys suck.” Jacob stood up to return to his room. He
hated feeling like Sera and Ashley were ganging up on him. He had had a long
couple of days and was in no mood for their shit. Truthfully, however, he rather
embarrassed and a bit troubled by the direction his freestyle had taken. Jacob
was beginning to think that the semiotic chora might best be avoided and in the
future he would try to remain on the windy side of the thetic boundary.
“C’mon, man,
we’re just messing with you,” Ashley pleaded.
“I
decorated your door. Did you see?”
Jacob had
reached the door of his room and saw that someone had cut a paperback cover off
of a copy of Virginia Woolf’s novel Jacob’s Room and pasted it on his
door.
“I found it
for a dollar at the used bookstore and thought of you.”
This was actually
fairly amusing and, he supposed, kind of thoughtful. Jacob found himself
relenting. “Let me put my stuff away,” he said.
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